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Dual U.S./Canadian citizen with current passports.

he/him

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Experienced producer, development executive, and script coordinator with a strong background in high-budget streaming, cable, and network shows. Skilled in budgeting, scheduling, pitch preparation from original and adaptive sources, production, script coordination, and continuity. Proven ability to manage complex projects and liaise with multiple partners and departments to ensure smooth operations.

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Script Coordinator - Dead Boy Detectives, Warner Bros. TV / Netflix, Exec. Producers: Steve Yockey, Beth Schwartz

  • Coordination and distribution of scripts for eight episodes to all crew, studio, and network partners.

  • Managed continuity, proofreading, research, and clearances.

  • Prepared and executed writer contracts, initiated script payments, and handled union/guild paperwork.

  • Point of contact for script-related issues for assistant directors, art, and legal departments.

 

Producer - My Government Means to Kill Me: The Musical

  • Produced a twenty-three-song reading with twelve cast members based on a NY-Times-best-selling novel.

  • Created and oversaw schedule, budget, venue booking, travel, insurance, and production logistics.

  • Acted as AEA liaison and handled necessary union documentation.

  • Presented the reading to an audience of one hundred prospective investors, producers, and creatives.

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Producer - Scissorhands: A Concert Reunion

  • Produced a concert series for a musical adaptation of Edward Scissorhands at The Bourbon Room in Hollywood.

  • Created and oversaw schedule, budget, band hiring, and venue staff for rehearsals and technical needs.

  • Oversaw stage management, ticketing, and other day-of-show requirements.

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Script Coordinator (Interim) - Winning Time (Season 2), HBO, Exec. Producers: Scott Stephens, Kevin Messick

  • Coordination and distribution of scripts for seven episodes to all crew, studio, and network partners.

  • Quickly assessed show-specific workflow for a seamless transition.

  • Point of contact for script-related issues for assistant directors, art, and legal departments.

 

Director of Development - Shadowgraph Entertainment (June 2019 - February 2023)

  • Supervised development and pitching of TV, film, and stage projects with writer-producer Bradley Bredeweg.

  • Obtained IP for adaptation, developed original ideas, produced pitch materials, and prepared projects for buyers.

 

Script Coordinator - The Flight Attendant (Season 1 & 2), Warner Horizon / HBO Max, Exec. Producer: Steve Yockey

  • Coordination and distribution of scripts for sixteen episodes to all crew, studio, and network partners.

  • Managed continuity, proofreading, research, and clearances.

  • Prepared and executed writer contracts, initiated script payments, and handled union/guild paperwork.

  • Point of contact for script-related issues for assistant directors, art, and legal departments.

 

Script Coordinator - The Fix (Pilot, Season 1), ABC Studios, Exec. Producers: Marcia Clark, Liz Craft, Sarah Fain

  • Coordination and distribution of scripts for ten episodes to all crew, studio, and network partners.

  • Managed continuity, proofreading, research, and clearances.

  • Point of contact for script-related issues for assistant directors, art, and legal departments.

 

Creative Executive - Blazing Elm Entertainment (August 2014 - January 2018)

  • Oversaw development slate of film and TV projects for writer-producers Bradley Bredeweg and Peter Paige.

  • Covered IP for adaptation, produced and noted pitch materials, and prepared projects for buyers.

 

Production Manager - Headless Development Lab (July 2017)

  • Production management of a development lab for a new musical with partners The Wallis and Google.

  • Managed scheduling, budgeting, band hiring, coordination with in-house staff and production team.

  • Two-night presentation for investors and producers.

 

Executive Assistant - The Fosters (Pilot, Season 1 - 5), Freeform, Exec. Producers: Bradley Bredeweg, Peter Paige

  • Supported showrunners and writing staff with administrative oversight including phones, scheduling and travel.

  • Booked directors and liaised with show departments, producers, and network partners.

  • Conducted research, managed production assistants, and oversaw social media across various platforms.

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ACHIEVEMENTS

  • Finalist, Final Draft Big Break Screenwriting Contest - 2024, The Merchants (Pilot)

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INVOLVEMENT

  • AIDS LifeCycle 2018, 2020, 2024: Personally raised over $15k for the LA LGBT Center & SF AIDS Foundation through a 545-mile charity ride from San Francisco to Los Angeles.

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SOFTWARE

  • Final Draft (Advanced)

  • Scenechronize (Advanced)

  • G-Suite (Advanced)

  • Microsoft Suite (Advanced)

  • Adobe Suite (Proficient)

  • Type speed: 80 wpm

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EDUCATION

  • University of Southern California Bachelor of Arts Cinema-Television, Cum Laude, May 2009

  • Minor in Art History

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